Category Archives: Quilt shows

Fowl Playing

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I took advantage of a lull in customer quilts to make headway with my so-called “Magnus Opus” that does not have a fixed plan at this stage. I made a very rough calculation that if it was going to end up 80” square, which yet again is bigger than necessary, I will need around 173 x 6” blocks. Luckily, the large silver printed Warli spirals have the same area as 4x 6” blocks. I still don’t know whether there will also be a few star blocks or whether I will stick to Warlis and circles and I guess there will be some sashing to get everything to line up but that can be decided later. 

It would have been easy to stick bondaweb on the back of the glitter Warlis and raw-edge-applique them onto a background square but I decided to make life harder by making portholes where a circle is drawn onto a square on top of a second square then turned inside out. It was labour intensive as the seam allowance of the circle had to be clipped. The pressed porthole was then placed on top of a glitter Warli, blanket-stitched and THEN the original Warli square had to be trimmed back so it did not show through. 

The crochet / sequin blocks were easier. First the sequin was attached with invisible thread to an oversized coloured square, sandwiched with wadding and a backing so it can be trimmed back later making it trapuntoed. The crochet doilies were then laid on top of the sequins with a straight stitch and invisible thread.

The plain, giant sequin blocks also took a while – firstly they were triple-stitched upside down using the circular attachment with silver dazzle-dazzle thread in the bobbin. Even the big bobbins ran out of thick thread quickly and had to be changed after sewing 4 squares to be on the safe side. The giant sequins were then blanket-stitched to the right side, again using wadding and a backing which will have to be trimmed back. There was only one boo-boo where I accidentally sewed 2 squares on top of each other from my pile. I made all of the squares bigger than necessary so they can all be squared up to a neat, uniform 6 ½ inches. 

Towards the end of the week the floor in my workshop was strewn with rainbow coloured trimmings and lots of thread so it was actually very satisfying when I eventually got the hoover out. 

All of that activity kept me busy for 4 days and most evenings except for a midweek talk that I gave to the Aberdeen Patchwork and Quilting Group as a stand-in speaker. I rattled on for an hour about some of my show quilts and travels which the audience seemed to find amusing. It was lovely to receive compliments on my work after hearing that Iconoclast had not thrilled the judges at the Malvern Quilt Show. Unless I can find a show in Russia that might appreciate the St. Petersburg inspiration or get it into the World Quilt Show it will probably retire as yet another vanity project. 

I had one of my prolific DIY quilters in on Friday so we used the Q24 with Qmatic and the freehand Q24 to do one big quilt and 3 small ones! The last one of the day was a delightful baby quilt with two Elizabeth Hartman swans which looked super with a watery panto. 

My friend Mo “egged” me on to accompany her on an early Saturday morning jolly to the Rare Breeds Livestock and Poultry sale. We did not go too much over our budgets and resisted the urge to buy emus and peacocks. I took home 3 everyday brown pullets plus a light sussex and a bluebell. When I got home I was really disappointed to discover that someone (not me) had omitted to shut the henhouse up the night before so the long-lasting Maran hen had been the most recent victim of the F*****g Fox!! The new hens were securely shut in with food and water and I will personally endeavour to be more vigilant about night-time security. I could not resist downloading a PDF pattern for a chicken quilt from Cluck-Cluck-Sew which can be a new background slow-burn project:)

I Can See Clearly Now

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My intention to start the week with a customer quilt at 8.30am on Monday was temporarily halted by the arrival of 2 packages from overseas. 

The first contained my bulk order of custom carved waril figure wood block stamps from India (I could only order them in batches of 10!) which arrived too late to be printed on the front of my Warli quilt but may yet appear on the reverse. 

The other package was zippers for the longarm machine to allow quilts to be loaded or swapped easily. I had to really pay attention to get them on in the right orientation but they were helpfully printed with text for people like me who get things the wrong way round. These zippers could have grosgrain ribbon or canvas strips attached in case the quilter wants to attach the quilt back with safety pins but I have no idea why they would want to do that. The zips get attached to the quilt back top and bottom using a large stitch on the domestic machine then get zipped onto the canvases on the frame. It is not a major time saver but the biggest advantage is not having to deal with big stabby pins;)

The beach themed quilt was completed with a seaside panto which looked really fun!

I spent FAR more time than I planned working on my Dream Big dahlia panel. The biggest issue was deciding which pattern to place in each petal and swapping threads so the colours were evenly distributed. There was much angst wasted comparing my efforts to already completed panels that I had seen online, especially when I made myself tackle patterns that I had never quilted before. However, I treated it as a useful practise exercise, even if I only quilted 2 or 3 petals a day. My greatest interruption was cracking the whip so that Fergus would hand his essay on Rap-Rock music in on time.

I spent ages preparing a new slideshow for my forthcoming talk at the QGBI Region 16 (Scotland). I last gave that Region a talk in 2014 and my blog informed me that I had been on my travels and made all sorts of projects that I had forgotten about in the interim. It also reminded me that I should have a piece for FOQ well underway by now but whatever it is going to be remains at the undecided stage. Every week planning a potential 2019 competition quilt just keeps getting put back on my To Do list;) 

For the slideshow I had to find and select a series of photos then remember how to get them into a Keynote/Powerpoint presentation. My unco-operative laptop kept displaying the “spinning rainbow ball of doom” then told me that I did not have permission to save my work. The simplest solution was to make a duplicate copy and save that version. 

I was surprised when I booked an eye test to discover that I last got new glasses for close work 4 years ago. One pair of specs was particularly wonky, scratched and was missing a nose clip. I picked up 2 sparkling new pairs and was amazed at how I could see everything clearly again.

I hope to complete the Dream Big panel in the coming week – it has certainly taken more than the couple of days that I intended and that is without taking background quilting and the probability of adding fabric paint into account…

Too Many Choices

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I had a varied selection of tasks to choose to work on this week, starting with encouraging Fergus to knuckle down with his essay on Rap-Metal music. Let’s just say that I now consider myself an expert on the politics and angst of the genre from Rage Against the Machine to Lil Peep;)

Since I have done no free-motion quilting since I stitched my FOQ samples, I decided that I needed some practice so I loaded the Dream Big panel that so many longarm quilters have been using to showcase their fillers. It took a while to stitch around the petals of the giant dahlia but even longer to decide what patterns to choose. I wish I had chosen to use 2 layers of wadding to add definition and I was not happy with my first petal but I expect it will look fine once I get into it.

I was invited to be on the judging panel at the Scottish Quilt Show in Glasgow (ICHF Events Craft Show). It was a very enlightening experience being on the other side of judging to being a competitor. The checklist was similar to the one used at FOQ. It can be really tricky deciding whether a quilt is excellent/good or satisfactory/needs attention. I would hate to put anyone off entering a quilt into a show by being negative! It is a shame that the process has to be done in a hurry. There is the opportunity for the judges to make comments on each quilt but after 100+ it is a bit like writing school reports and my handwriting became progressive scrawled. Overall, the judges reached consensus on the quilts that were placed. One thing that struck me was that a few quilts could have been entered into a different category. There were several that I would have said should have been contemporary rather than traditional. There was a strict size restriction, apparently due to a lack of space. I am not the only Scottish quilter who would have competed if larger quilts had been accepted. It is important to support the show since it is now offers the only opportunity for quilts to be exhibited in Scotland. 

 Sheena Norquay – winner of theme category Colour of the Isles

 

After a very pleasant overnight stay with Bonnie McKerracher I went back to the show as a visitor and I enjoyed having time to look at the excellent exhibits by quilt groups from Scotland and further afield. There was a good selection of fabric on sale but I was hunting around fruitlessly for thread which was disappointing. I only managed to spend 50p on a silicone thimble!

Despite being away for less than  48 hours, I had so many emails to answer on Friday morning that I never got back to the Dream Big panel. There were exciting messages from Bernina International wondering how we can co-ordinate me to teach longarm quilting in Mumbai, Dubai and Seoul!!! I am so excited to be offered such an opportunity to teach and travel. I expect I will have to think of some more new classes…

After I got some of my admin under control I did a little more hand-stitching on the Warli quilt. There are half a dozen blocks still to go but it had to be hung at the Grays School of Art Short Courses Exhibition on Saturday morning. Considering that it was not blocked and there is a mixture of hand / machine sewing, it hung reasonably flat.  Noticing that some fellow students had left business cards I rustled up a quilted pouch that can hang beside the quilt. I really ought to have printed some with images of the Warli people quilt.

I was impressed by the superb work that the other students had produced in all sorts of media in addition to textile screen printing there was photography, kilt making, ceramics, jewellery and fine art. It really was a diverse collection of talent!

Older but not Wiser

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I became another year older this week but definitely not any wiser. I decided that the best way to celebrate my birthday was to work on the Bollywood Borders sample quilt while allowing the automated quilt system to work on a customer quilt. The first 2 rows were great then a belt clamp became loose, the whole design slipped and stitched over itself twice. This led to a pointless 4 hours of ripping out very small stitches! And I did not make the required progress on the Bollywood piece. 

Freya arrived in Munich just after midnight on Tuesday evening which was amazing progress made just by hitch-hiking. The entire group of students from St Andrews raised over £40 000 for local charities on this adventure. They also had great fun making new friends, drinking beer and enjoying Bavaria in the snow. 

  

Meanwhile, in my workshop – I decided that I would only work on Bollywood Borders and NOTHING else until it was finished. I lied when I said I might leave some of it unquilted. I could not leave more than half an inch of fabric unstitched. Maybe there is too much stitching but it is meant to be an aspirational piece for students to show them how far they can go if they want to. They can decide how little or how much to quilt. 

I started off by marking some border sections using a ruler and Frixion pen then marked in where the large shapes would fit. Some of these were drawn with a longarm ruler, using a ¼” spacer disc and others used a shape template that I had cut out of funky-foam. Paisleys had proved tricky to draw accurately. I could draw them using a combination of French curves but I was not sure how I would quilt them. The students will learn that they do not need an exact ruler for every shape. Basic rulers will guide them around odd shapes and at times they will have to be brave and go freehand. Of course, the Q24 is very well balanced so it is quite easy to freehand accurately. 

 

I had several reference books on Indian design on my table and had scoured through my Indian photos, looking for motifs. I hate that I doubt my drawing ability – little flowers should not be difficult! When I really started to analyse the shapes used in wood block prints and carvings I noticed that many of them were simple repeats of lines, lace and sprigs so all I had to do was vary where the fillers got used within the big shapes. 

I thought the whole project needed to be finished off with a touch of Bollywood Glamour so I spent an entire day filling some of the outlines with gold fabric paint and dotting on little blobs of pearlescent 3D paint like henna paste. 

Obviously, it took me far longer than 3 hours to complete the class sample quilt but the students should have enough time to learn how to quilt each section, even if they have to finish off the details at home. 

Just for fun, I bought myself a Polaroid Snap Touch camera for my birthday. I don’t “need” it, it just appealed to me and I like the idea that picture stickers can be printed straight out and put into a scrapbook. Suddenly, an idea that I had been mulling over for a while took shape and I realised that an effect that I want to explore is Double Exposure. I had a go at merging 2 photos from India – an elephant and a pattern. If I can find the right combinations of pictures this might be really interesting;)

I Ate an Elephant!

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My Esoteric Elephant class sample quilt rampaged away with me. Partly this was because I had not really decided in advance what designs would be used. Mainly it was because I just could not stop adding details to the quilting which the students will not actually have time to do in class. 

   

I tried using an acetate sheet to audition the quilt designs but I did not notice that it did not cover the whole area that I wanted to doodle on and the bright green felt pen slipped, leaving a mark. This was was really prompted me to start colouring it after defining some of the edges with gold textile paint and a tiny brush.

 

I started off using Derwent Intense pencils and aloe vera gel but not all of the colours were vibrant enough. Sharpie pens were applied on top but they had a tendency to bleed so I had to be very careful. I found some Sakura jelly-roll pens so used them to colour around some smudges. In hindsight, I should have applied some sort of primer to the elephant then I could probably have used Sharpie pens without any bleeding. 

I could have continued colouring-in the whole elephant and adding definition with a fine black gel pen but there comes a point when a class sample has to stop, especially when I have one more class to plan by the end of January at the latest! Having spent far longer than planned on the project I finished it off by adding tiny blobs of 3D fabric paint in some of the circles, rather than start applying crystals and mirrors. 

The Bollywood Border class should have been drawn out ready to quilt by the weekend but I found it tricky to decide on the designs. I will quilt out a sample that will involve some ruler work and freehand detail but I will provide alternative designs on handouts because the class sample won’t be large so only a few motifs can be explored in the class. I have now sketched out the bare bones on paper and will get it quilted as fast as I can – maybe I could even leave some areas unfinished (As if!) 

Having been a bit concerned that I had a lull in customer work since Christmas, 5 quilts came in last week and I also hope to get something underway for the FOQ competition. 

  

My Warli screen-prints are building up – not all of them are suitable but it should not take me long to print off enough pieces to make some sort of quilt. I have not yet decided whether to do any piecing with shapes other than squares and rectangles. Obviously, that would be far more interesting but there is the issue of TIME. I would really like to figure out how to get Art&Stitch/Qmatic to stitch out some of the Warli figures but that is still beyond my capabilities with digital design at this stage.

I drove Freya back to St. Andrews after a long Christmas break. It was lovely to have her at home and she has been hugely supportive of Nell’s prelim exam revision. Before she starts the new term she is off on an adventure, hitch-hiking to Munich for charity in a team of 3 students, racing against 60 other trios. It is fun to track her progress on www.race2.org.uk (Team 58)

Lazing Around Over Christmas

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I like to spend Christmas Eve cooking so there is not much preparation to do in between watching the kids open presents and trying not to eat a whole chocolate orange before breakfast. I discovered late in the day that everyone actually did want red cabbage so I had to make a list minute dash to the shop to hunt for a vegatable that will most probably end up as hen food before the holiday is finished.

We had a very lazy few days with leisurely walks, glasses of sherry at any time of day, and inventing ways of making vegan turkey into appetising leftovers. After 48 hours I felt guilty that I was not busy doing something, trying to avoid being anti-social out in my workshop. I kept finding myself pointless little tasks including stripping the flowers off a basket of dried lavender. I had hoped that I could just whizz the whole lot in the Magimix but it made a mess and the motor got rather warm. 

At least I managed to run up a couple of mini-makes for a workshop in February where I will have no access to sewing machines which I will find a major challenge. I downloaded an entry form for the Scottish Quilt Show competition but the maximum size permitted is 60” x 80” so Iconoclast is not eligible. 

  

I took my girls to see “Mary Poppins Returns” which we really enjoyed a it was a similar format to the original with some great songs and animated scenes. I admit that I did doze off at one stage but I will put that down to too many late nights. 

I obviously thrive on deadlines and a bit of stress so once we have sen in the New Year I need to write myself a great big list of things to do then worry about how I am going to achieve everything. Before that happens I guess I will have to finish off all of the sherry;)

Post Quilt Show Recovery

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It takes a while to settle back down to “normal” after an event like FOQ. It was almost a week of activity, excitement, late nights and early mornings. I stayed with Kay in the Scottish Borders overnight on Monday so did not make it home until Tuesday afternoon. It took me all of Wednesday to return everything to its place in my workshop and have decided that a ruthless cull is looming. I feel that I am running out of space for show quilts and dress dummies that can’t stand up by themselves due to an accident involving  a giant roll of corrugated cardboard. When my work area is annoying me I just cannot do anything until it has been sorted out – obviously due to a severe case of procrastination.

Despite having an extensive list of projects that need to be done, I filled my time with catching up with emails, making trips into town to get school supplies, paying bills and fixing the tumble dryer.

I had an afternoon off to do a gelli-printing course with Lucy Brydon at Tangletree Studio in Aboyne. The studio/shop is well situated on the town square and is a great, light space offering a range of workshops and selling artisan crafts. Apparently I own several gel plates that I have obviously bought, thinking they would prove useful but are still pristine in their packaging. We explored texture, layering, stencils, colour mixing during an afternoon that flew by. I signed up for the class because I thought the techniques might come in handy when I start the Printed Textiles foundation evening course at Grays School of Art in the autumn. You never know, maybe one day I will actually produce something that is commercially viable;)

  

Having decided that quilting will not happen until I have reorganised my studio, I decided to have a go at making a nice, easy pair of trousers. Let’s just say that it was not a relaxing or fun experience. The so-called “Easy” pattern was awful. The pattern pieces did not match the sparse diagrams, there were virtually no actual instructions and it’s a good job my fabric was a batik that was the same on both sides. I persevered and learned a lot, such as, I like the idea of dress-making but hate the frustrating experience of not having a clue what I am doing. Someone needs to come up with patterns that actually explain what to do and don’t assume you are already an accomplished couturier! There’s another goal for me – write about dress-making for the of us who are Instructionally Challenged.

 

FOQ 2018

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Being a tutor or exhibitor at Festival of Quilts is hard work! There is the preparation, the set-up, getting up early, going to bed late, long days of standing and explaining, and much walking. There are times when you feel that you are not actually getting to see much of the show BUT it is great fun meeting new people, teaching people how to quilt, catching up with old friends and socialising afterwards.

There was the usual controversy over some of the judging decisions and much grumbling about the lighting. I was extremely disappointed that navy blue “Iconoclast” was in a dark spot and was not allowed to move to the brighter, empty wall opposite. Most viewers walked straight past without giving it a second glance. 2 out of 3 judges scored it highly and gave excellent comments but the third did not seem impressed. I absolutely did not expect to win a prize, I just wanted people to be able to see my quilts properly after I had worked so hard on them.

 

 

Sadly, my “Domestic” slideshow onto a white whole-cloth quilt was completely invisible under an overhead roof-light, bright spotlights and in a white-painted gallery while a few of the Fine Art Masters quilts were displayed on the outer walls in more subdued lighting. I was chatting to some guys as they dismantled the gallery after the show and told them all about “Domestic” being an ironic entry after several rejections in previous years with what I had considered to be among my best works. “Domestic” is not a fine piece of quilting but more of a concept. After telling them that I consider it patronising to Quilters that FAQM entries should “transcend craft and be worthy of hanging in an art gallery” one of the guys finally introduced himself as the co-ordinator of that competition – well, Oops! Sorry, not sorry;) I am glad I finally broke into the elite with my ironic art quilt but annoyed that there had been no effort to display it sympathetically – I even had to check that the projector was switched on each day.

 Domestic did NOT look like this!

I enjoyed teaching master classes in the Bernina Longarm Academy, also running demos in the classroom and on the stand. I even kept up a constant commentary for a 45 minute Youtube Livestream video, wearing a microphone headset like a popstar.

 

 

 

 

 

 

 

Amazingly, I did not buy any quilting supplies at all! However, I bought some basic clothes patterns and boiled wool to make a coat. I hope it is not just a fantasy and I will actually MAKE something to wear that fits for a change.

 

 According to one of the judges, ” Quilting needs attention”…

I did not take many photos, probably because everyone else who visited the show had taken plenty of pictures and posted them on social media. And I confess that I never did find time to look at every single quilt. Some of the exhibition galleries were fantastic – I was impressed that Nancy Crow presented 75 almost identical monoprints. I could not make up my mind whether it was sheer genius or artistic audacity.

 Customer quilting by Kay Bell

 Model Ford H by Kay Bell

I really enjoyed the Ricky Tims concert/dinner. He is an entertaining speaker and also fantastic at playing a grand piano. I gave him a standing ovation, although other members of the audience were more British and clapped loudly but did not stand up. There was a rowdy taxi riot after the show at the Hilton where seemingly innocuous quilters elbowed each other to grab the unbooked rides back to their hotels.

The whole week flew by so quickly. It was great fun, sociable, hard work, inspiring and it won’t be long until plans get underway for next year;)

 Gin delivery

 Hauling everything back after the end of the show!

Unpacking and More Packing

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I wonder why unpacking from a trip takes so much longer than packing it all up in the first place? In my case I always seem to think that there needs to be some major reorganisation when I return things to their original place. Particularly when this involves rehoming my family farmhouse table which is 10 inches wider than a standard table. 

I am poised to have a major declutter in my workshop but am reluctant to get started because I will have to be ruthless. I can’t decide whether to hang onto the leftovers from past projects, including the paper templates for a Smart Car cover. 

I decided to get all of my supplies ready for FOQ so I could work on a couple of customer quilts before I go or tackle a major clearout. First I had to finish off my teaching samples so I added some colour to the pink mini wholecloths. This allowed me a chance to see if the Intense pencils really are steam-proof after they have been set and dried with aloe vera gel. This was a necessary investigation because BzB looked travel weary at Quilt Odyssey with big creases right across its centre and since it has been juried into Houston, it will really need to hang flat there. 

I sewed some beads onto the Dreamcatcher sample and added one or two crystals to finish it off. When that was finally finished I made a list of the accessories and threads I would need at FOQ and bagged them all up. The challenge now will be to leave everything alone and not be tempted to use what I have put aside;)

My Go-Pro camera was dusted off and since I had almost forgotten how to use it so I challenged myself to figure out how to control it from my phone. That is handier than you might imagine because the camera can be set up on a tripod or pole to get wider shots. I am a great one for owning under-used gadgets so I am determined to use it more!

Costa del Norfolk

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Packing for a trip is always quick and easy, especially if taking the car to a family house. It left me plenty of time to drink what was left of the explosive ginger beer then rustle up 4 mini versions of BzB in case my FOQ pupils prefer to work on that rather than a Dreamcatcher. I used wood-block stamps to create most of the motifs, some fancy fabric paint and will add some Derwent Inktense pencils when I have 5 minutes to spare.

All 3 of my children came along for the 550 mile drive south in a noisy Landrover Defender. They counteracted this by playing “Bangin’Tunes” all of the way and I had some of them stuck in my head for most of the next day. I hope Bumble is as deaf as she sometimes pretends to be.

I felt a bit guilty that the kids were not getting an exotic holiday or going to a festival but they all decided to make the most of what we could find to do in Norfolk. It was actually a pretty packed week. We caught up with old friends in Suffolk and watched England get knocked out of the World Cup at their house. Obviously, we trawled through as many junk shops as we could find. I had to find a replacement coffee pot after I accidentally melted  the entire handle all over my camping gas stove. Fergus was keen for me to buy a 1970’s electric organ with many amazing special effects but I was not sure that it would actually fit in the back of the Landy. 

 

We visited Great Yarmouth (which I reckon can only be done every 5 years or so) and bought hideous sticks of rock, ate chips on the market and the kids gambled a pile of 2p coins in arcade machines. This was followed by sand-castle building, swimming in the sea and ice-cream cones.

We had a lovely wander around the alleys and back streets of Norwich and a super lunch at the Waffle House which was a pleasant blast from the past. The rest of our time was spent going to the pub, visiting an outdoor swimming pool and eating outside with Family in the almost tropical heat. Our short week was soon over, everyone had a good time – we made some new memories and even got a little bit of a suntan:)

Bubble Fun

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I always experience a mild sense of panic in the week before school holidays start, even though I only have one child still in school. I try to catch up on customer quilts and make sure FOQ preparations are well under way. I also had to fit in 3 days of supervised DIY quilters and school prize-giving.

Obviously I thought I had time to experiment with Ginger Beer, using glass spring top bottles. After just 48 hours it was lively – around half spurted out when I released the top which was not ideal inside the kitchen. I must make sure it all gets drunk quickly;) 

For my FOQ masterclasses I decided to print up six small quilts around the theme of a dream-catcher. I used thermofax screens, Indian wood blocks, circles of silver tissue lamé and various shades of blue fabric paint. Some of the motifs were later filled in with Pebeo suede effect paint to add texture and I will add dots of 3D paint later. I wondered whether I would be able to use a bubble-gun or party bubbles to drop delicate bubble shapes onto the quilts but the paint rendered the wands and bubble mix useless. I tried fountain pen ink instead which did allow me to blow bubbles but they simply burst in little blobs so I need to keep experimenting…

      

I quilted one of the quilts as the teaching sample, using a variety of threads, couching, freehand and ruler work, stitch-regulated and manual, making a note of the tension settings and speed for my pupils. My first attempt at the dream-catcher centre did not look good with thick, sparkly yarn so it took a while to pick it all out and redo it using a denim yarn. I did the background quilting with a twin needle so that pretty much covers most techniques! I could have added more stitching but it would never have been completed  this week and it has to be vaguely achievable for a half-day class. Of course, I remembered that the photo that I had originally submitted to FOQ for my class spec was of a mini version of Beezlezebub so I will also have to dye and print 4 pink mini quilts just in case my pupils would prefer to work on that version;)

 

Lack of Photographic Evidence

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According to my camera roll I did not do much this week because I forgot to take photos. However, I finished a customer quilt, taught a bag making class and had a DIY quilt customer.

I tidied up the Domestic slideshow captions then packed it all up ready to go in a giant box acquired from the local flower shop. The quilt, which is actually a projector screen, was rolled then the micro-projector, cables, tripod and set-up instructions were safely packaged and the box has been sealed. The other 2 quilts, Iconoclast and Denim Wordsearch will be checked and folded nearer the time, trying to avoid too many creases.

I ran up some samples for my FOQ classes which involved some badly behaved tissue lamé, printing and vintage doilies dyed a marvellous shade of blue. I hope to quilt one of them this week so I can hand sew on some extras while I am visiting Family in Norfolk.

The Deckchair stripes quilt was completed with the dense Waterdrops circles pattern but I need to buy some striped or spotty fabric to make the binding. 

There was also quite a bit of time spent doing internet research on textile printing which prompted me to order some PFD white fabric. I actually got a very good deal because I was told that it was marked which I don’t mind since it will be dyed and printed anyway so now I have to store 24 metres of it. Sometime over the summer I will need to I have a jolly good sort-out in my workshop as it seems to be getting a little short of space;)

When Doubting Thomas Met Peter and Paul

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My “Russian” DWR quilt still does not have a name or even an abbreviation although in a way it has tenuous links to Peter the Great, the Peter and Paul fortress, and The Amber Room with an homage to the Robbing Peter to Pay Paul patchwork pattern. My current favourite might be “Iconoclast”, obviously subject to change.

  

I finally got it loaded and have spent a total 45 hours working on it so far, not even reaching a quarter of the way through yet. To be fair there was a lot of thinking time, redesigning and working out the most efficient quilting path. 

  

I don’t think I have ever done such a lot of intense ruler work where lines must match up exactly. I have had so many doubts about it – is it too big, will I get it finished in a sensible amount of time (hopefully a month), have I chosen the right thread, is my back-tracking accurate, is it fancy enough, how will I bind it, will it measure up against the insanely high quality of other show quilts???

All I know is that it is coming along slowly and I will just have to keep chipping away at the enormous task until it is finished. Then I will have the worry of removing all of the chalk marks from dark fabric!

Sticky Situation

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The Denim Word-Search quilt was sent off to Uttoxeter for the British Quilt and Stitch Village Show, weighing in at just over 5kg! I decided that it did not need blocking again as it is so heavy it will just hang straight down all by itself.

  

I spent a very long time sewing down the skinny orange bias onto the DWR quilt. I tried out various feet and finally decided that Bernina foot 20D was the best as I could easily shift the needle position to get close to the edge of the bias tape. I used Elmer’s Glue to stick it down and pinned it to make sure nothing moved. I used a small paintbrush for the glue which I shoved in my mouth while I wrestled with the pins, resulting in sticky hair – good job it was washable! Being very right handed, I always seem to place the pins facing downhill which makes them difficult to remove as you sew up to them so before sewing began I turned them all up the right way.

It took the good part of a day to unpick any basting stitches that were on show – nothing I do seems to be straightforward. I bought a pair of duckbill scissors to cut away the excess fabric under the DWR and wavy border and after I figured out how to use them was amazed at what a good job they did, not snipping into the quilt underneath at all.

 

Since I am nowhere near ready to start marking the DWR quilt prior to quilting, I decided to complete the giant owls and hedgehogs for the Fancy Forest project. I managed to muddle up the pieces a couple of times but I now have enough creatures, great and small, to put it all together except nothing fits logically. I will have to figure out how to add some sashing and filler blocks which I guess will involve some taxing sums. I will put it into the UFO department until I have time to figure that out.

  

The Easter holidays began with snow showers but I hope it will be more temperate 500 miles south in Norfolk. I am heading off on the train with Bumble and 2 out of 3 kids which will be quite an adventure;)

Ste Marie aux Mines 2017

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I flew into Strasbourg on Tuesday afternoon, found a train into the city centre then decided the easiest option was to hail a taxi to take me to my budget hotel. It was clean and convenient, in the Jewish quarter on Rue de Bitche. I tramped into the old city centre, admired the impressive cathedral and enjoyed a mini carafe of Muscat, watching the world go by from a side-street cafe. I had supper al fresco in the rain at a restaurant with red checked tablecloths and decided to have escargots – I can’t say that the snails were really a delicacy but dunking my bread into their residual herby, garlicky butter was most satisfying.

I intended to do some sightseeing the next morning, maybe visit the European Parliament but my feet were too sore so I was happy to sit around reading a book until Regina and Maria arrived to collect me and travel on to Ste Marie aux Mines by car.

This part of Alsace is beautiful and obviously a cross between German and French styles. It had been a mining area but now is mostly populated by elderly people – sadly many of the houses and businesses were up for sale. There were plenty of pots of red geraniums to brighten things up and it was nice to see so many traditional small shops selling bread and local produce.

Bernina Team GB and Germany took responsibility for setting up the Bernina Q24 longarm machine and the Q20 sit-down model while Team France organised the rest of the booth. After the set-up I travelled to stay with Bernina France on a gîte in Lièpvre. This was actually a large converted farmhouse with several additional cottages to let. We were surrounded by goats, deer, cats and a magnificent cart horse. It was certainly an immersive experience, surrounded by non-English speakers, apart from Christine Escanes www.creativetextilemastery.com whom is cleverly trilingual in English, French and Spanish. My school French was extremely rusty but I did pick some up and understood more as the week went on. It was fun to do some self-catering, the only downside being that we tended to eat late and stay up drinking wine even later;)

The show was busy despite the unseasonably cold, wet weather and we attempted to communicate with all sorts of nationalities – French, Belgian, Dutch, German, Hungarian, Polish, Spanish, Portuguese, Israeli, Korean – in German, English or my dodgy French. There was much mis-use of grammar and plenty of sign language. I mostly asked the visitors, “Vous aimerez à essayer la machine?” and I had a crib sheet for needle, up, down, stitches, free-hand etc. All would be fine until they launched into rapid French with  further questions and I would have to hand over to a French speaker.

There was a terrific selection of traders, many of whom were in market place tents but I only bought small pieces of cork, pleather and natty bag fasteners for some unplanned project or other.

I did attempt to catch the shuttle bus one day to visit some outlying exhibitions but it did not appear during heavy rain so I gave up. However, I did visit Number 3 which had superb collections by Ian Berry, Luke Haynes, Miriam Pet-Jacobs and Nancy Crow’s Dairy Barn. I was particularly struck by Ian Berry’s incredible artwork www.ianberry.org – an amalgam of photo-realism and denim. In fact, he was staying at the same gîte so we invited him to dinner and had really interesting conversations about art, textiles and the angst of artists.

On the last night, after the frenzy of packing up, I went to stay in the same family run hotel as Regina and Maria in Tannenkirch, since they were running me back to the airport in the morning. It was at an altitude of 500m in countryside where I am sure there are probably still wolves. We had a lovely quiet last evening, enjoying local wine and Alsace specialities in a little restaurant in the village.

The Val d”Argent area was attractive, the people were friendly, the food and drink was fantastic, the exhibitions were high calibre, and there were quilt/textile superstars to spot, so I would definitely visit the show again, either as a quilt tourist or exhibitor!