Category Archives: Quilting

On Having a Mind like a Stone Tumbler

Standard

 

As if I need any more machines or gadgets in my life, after asking for opinions about scanner/cutter machines on Facebook, I ended up buying one from Gillian Travis who thought it would be a great idea but never had time to experiment with it! I have already wasted several hours looking at what it can do on Youtube;) I think it has much potential for a variety of ideas that are trundling around in my head. In fact, I feel as if my mind is rather like one of those stone tumbling machines that churns around the clock until eventually something polished is produced some considerable time later.

I am on the point of ordering fabric to start on something which is probably not the same something I thought I was going to work on a couple of weeks ago. I have been looking for something substantial to get my teeth into since finishing BzB but a long summer happened in between. Typically, now I have at least 3 projects that I want to work on… I have even cut out 2 blocks for the Elizabeth Hartmann Fancy Forest quilt but I am unsure as to whether I can cope with so many small pieces. I would probably be better off working on a far simpler background project for relaxation.

Bumble bounced back from her operation to have mammary tumours removed. Far from moping around with a lampshade on for days, she ignored the comfy dog-bed that I prepared and jumped straight up onto the sofa as if her under-carriage had not just been cut open and patchworked back together. She was not totally impressed at having to wear a festival t-shirt out for a walk so the wound site would stay clean.

  

Two customer quilts were completed this week using automated quilting. On the Christmas quilt I had to supervise closely so the appliquéd racoons did not get caught up with the quilting foot. The customer wanted allover snowflakes so I had to remove some buttons and bows before I started. The second quilt was a rush job for a student studying aeronautical engineering so clouds and planes seemed like a good idea.

  

There are one or two things on my Perpetual To Do list that will be carried on into next week, such as attempting to make a video on couching yarns with a longarm machine and backing up my Mac, well over a year since I last bothered. I sincerely hope I get SOME purposeful sewing done by at least midweek!

Advertisements

All Systems Go

Standard

Hopefully the reorganising bug that I caught seems to have subsided for now after I have rummaged in the depths of my pantry and even hoovered ancient cobwebs. The thing about my clear-outs is that it eventually makes way for more vintage finds and handy gadgets. I should really start my own junk shop…

BzB arrived back from FOQ so Freya and I inspected BzB for loose thread and fluff before it got sent to MQX. We made a very tentative attempt to block it to remove a slight bulge in the middle bottom that I noticed at FOQ after it had been flipped to show off its backside a few times. Realistically, it is impossible to block a quilt that should not get wet in case its colours run so all we could do was measure, pin and dampen the binding. As a thank you for her patience, I made Freya a cushion from a woolly jumper that I had accidentally washed too hot. I had to empty 2 silly triangular feather cushions to make a sensible square inner-pad so it looked like I had been plucking chooks for the pot outside my workshop!

Much to Freya’s chagrin, I determined that “we” would conquer the setup of Bernina Qmatic – she was just there for moral support while I figured out what to connect. It was hugely exciting to switch it all on for the first time and see if it worked. Fortunately, it was all systems go with lots to learn. It is quite different to the APQS Quilt Path. It is like switching between Windows and Mac – both equally powerful but different to operate. The Art and Stitch software looks challenging but it will enable me to have a go at proper digitising. I will have to schedule learning time for the new system and software. I spent an entire day just testing out the basic features and stitched out a few designs.

As a reward for all of Freya’s help this week I decided to use the large Qmatic sample from FOQ to make a couple of throws for her student flat. It was simply a quilt sandwich with lots of example stitch-outs so I added wavy cross-hatching to fill up the gaps. There was a spare piece that I cut off and Bumble seems to have decided that she would like to use it while she is in the workshop, mostly sleeping, because she does not find quilting the least bit interesting.

The only actual sewing I did all week was some mundane mending! I was all set to work on some ideas for future quilts, knowing that I had efficiently filed a document on my laptop. However, despite a lengthy search I discovered that it had completely disappeared. I was lucky that at least some of the ideas were in scribble form in my notebook. As usual, I am not short of ideas but I need to decide which ones might actually work;)

Meanwhile I have a packed week ahead to get ready for my trip to France, sending Freya back to Uni, and organising the other 2 kids during my absence.

Beelzebub’s Long Story

Standard

 

This was a quilt that had an usually long making process. It all began about 10 years ago when I attended a class on drafting a traditional Durham whole cloth with a well known British quilter from the north of England, Lilian Hedley. She provided some drawings of motifs from antique Durham quilts and showed the students how to draw large feathers using old English pennies onto baking paper. Lilian explained that Durham wholecloths were usually drawn onto cotton sateen fabric then hand quilted very simply with a cross-hatch background. I never intended my design to be quilted in this way as I am a longarm quilter and I wanted to use a non-traditional fabric, maybe even gold lamé.

In the end, I folded up the paper design and put it away in a box because I could not decide what to do with it. I thought about it every now and then but I was distracted by making other projects such as a Quilted Yurt, a Smart Car Cover, a series of Viking inspired wholecloths on metallic fabric and a Coracle. I kept thinking about the Durham wholecloth design and mentioned it on my blog several times over the years. It actually made me feel guilty that it was a long-abandoned project and I named it “Beezlebub” because it seemed like a demon of a quilt.

 

Eventually, I chose to use basic, wide calico that I dyed pink in the washing machine and I started tracing the wholecloth design using a Frixion pen and a light box. This was tricky since the baking paper had become brittle and fragile with age. Having now seen beautiful machine quilted feathers at quilt shows my Durham style feathers seemed rather big and ugly. My plan was to start with the very traditional wholecloth design then work out how to make it unconventional. I kept thinking that it could all go horribly wrong.

 

At some point I decided that my wholecloth design could become an anti-establishment wholecloth by giving it a pieced back which may end up being the front. There was no piecing plan – it was just a random selection of blocks in a colour palette from the Scottish landscape. Most of the colours I selected were harmoniously heathery but once those began to run short I simply used what I had managed to dye; not to mention an anarchic use of fine silk and heavy, rough linen.

The pieced BzB quilt ended up at almost 2.5m square and I felt like Dr. Frankenstein, spending several weeks creating a monster with its own agenda. It was a long way off what I had originally intended but I found it to be an interesting process.  I learned to enjoy freestyle curved piecing and appreciate that some forward planning may have been useful.

For a time I considered renaming the quilt, “Highland Fling”, thinking I could say that ceilidh dances and the Scottish landscape had been my influences all along as there was a combination of the constraints of traditional blocks and the wild abandon of how it all went together.

I still had not decided whether to continue with my original plan of quilting a very traditional wholecloth design onto a very unsymmetrical pieced quilt with no obvious centre. I had always intended to make the background of the wholecloth far more interesting than the main design but I was constantly arguing with myself on whether this quilt may need require far more contemporary quilting to pull it all together. Yet again I decided to put the quilt away until I had made up my mind. Quite simply, I found BzB intimidating and I was too scared to start something that had taken me so long.

I was coming up close to the deadlines for entering quilt shows earlier this year (2017) so I pulled out the long abandoned BzB anti-establishment wholecloth project. I stared at it for a long time, jotting down a few notes on how it might be tackled. Its biggest problem seemed to be the vast amount of negative space which should traditionally be filled with ½” diagonal lines. I thought about it for ages then made some extra templates and decided to fill up that space since a) I am not making a modern quilt and b) I am not making a traditional quilt and c) because I felt like it!

 

I was expecting to have 3 custom quilts to do in May but their makers did not finish them so I had no choice other than to load the rather large “BzB” onto the Q24 frame and make an attempt to get it done in time for FOQ. I decided that if I committed to enter it into the show then I would just have to get it done;)

  

I was irritated to discover that I had not saved a whole pack of wool wadding and that the under layer of black wadding was not wide enough. Yet again, I questioned why I had made BzB so big. I phoned several UK quilt shops but none were able to guarantee next day delivery or even had what I wanted in stock. There was only one solution which was to join all of the leftover bits of wadding together. The huge pieces that I reconstructed were then generously spritzed with water and laid out to relax because the wool wadding that come in packs is always impossibly creased.

I have to admit that BzB was making me very nervous. It had been waiting for a long time  and had to be sewn upside down with the piecing on the back for me to be able to see the quilt markings. I had to get perfect stitch tension on both sides since I intended for it to be displayed as a double-sided quilt. I tried out different threads, including a wool blend which looked great on the top but was not so nice on the back because the colour was not right. I was faced with the choice of ordering some more thread, sight-unseen online or making do with something else. In the end I decided that since BzB was a bit anti-establishment so I would start with a 30wt neon pink cotton just because I had it on a huge spool.

I overcame my fear, plucked up some courage and began the outline quilting on BzB. I went VERY slowly in manual mode because that it simply the smoothest way to quilt around a drawn line.

I really wished I had allowed myself a year to work on this large quilt, instead of a few weeks as there was so much that I wanted to do and I could not think how it would get done by the deadline.

Pretty much all I did for a full week was quilt with pink thread so it was a good job that some of it was variegated, just for the occasional surprise.

After a 10 second discussion with myself, I decided to quilt tiny spirals in the half-inch quilted piano keys because I knew I could not bear to leave them empty. Then I started on the marathon task of stitching small spirals and swirls in the background which was back-breaking because I like to have my nose as far over the quilt as I as I can and I don’t have a hydraulic lift on the Q24 table. Frankly, it was quite boring at times and progress seemed to be slow because it was so large. Even Bumble, my Scottie Dog, thought it was tedious and went outside to watch the grass grow.

It could be said that BzB had 5 main phases of construction – the designing/drawing/tracing the whole cloth pattern, piecing, quilting the main motifs, quilting the background and finally, after a very long 2 weeks – the colouring which was done with Derwent Intense pencils painted with aloe vera gel. I have to admit that this stage felt everlasting at times. I even got a blister on my finger by gripping the colouring pencils so tightly.

  

After the colouring was complete I began re-quilting all of the large motifs on BzB with wool thread to add definition. I only held my breath a few times and to my amazement, it went far better than expected. I ordered more 110 wool needles and I used every single one of them. Thick layers of batting, bulky seams and paint soon cause needles to go blunt.

The second round of quilting took another long time but I knew the way around the quilt this time. There were times when I became incredibly bored with the monotony but after I passed halfway in the middle of the week I was encouraged to get it finished. I had to remind myself not to get over excited for the last few feathers as it was so tempting to rush to the end.

 

It was such a relief to get the quilt off the frame at last. Squaring it up took me a few hours – I could not just measure out from the feather border all around as it turned out that I obviously had not drawn it squarely in the first place. I was amazed that the 2 opposite sides matched each other when I measured them. The outer edges were not too wavy and flattened down nicely after some serious dampening. I managed to get the quilt bound, labelled and packed up ready for FOQ in time for the school summer holidays, having worked non-stop for 6 weeks. It is impossible to say exactly how long BzB took but I would guess that it could have been well over 600 hours from start to finish!

  

On the day before FOQ opened I missed a call informing me that I was a winner so when I arrived at the show early on the day that it opened I was amazed and delighted to discover that it was the winner of the FOQ 2017 Contemporary Quilts category! It was the first time that I had even seen BzB hanging up and it was wonderful to receive congratulations from everyone. I had worked on this quilt for so long that I really was not sure if anyone else would like it. It was interesting that some people liked the pieced back even more than the coloured wholecloth front. BzB is a quilt that I am so happy to see finished after such a long time and many sleepless nights of wondering whether I should just abandon it because I could not decide what to do with it. Hopefully, this should encourage anyone with a long forgotten UFO that it might get finished one day.

 

Short but Productive Week

Standard

 

After catching up on a whole heap of laundry including foosty sleeping bags, I had to tackle some long overdue paperwork. Even Bumble found this chore dull – I wondered where she had gone for a sulk then discovered she had gone into sleep mode under my desk, camouflaged on a black sheepskin rug.

Because I had spent weeks working on BzB, I had a few customer quilts to tackle before I got caught up in preparations for Festival of Quilts. Luckily they were all modesty sized so I managed to complete FOUR in the few days I had left in a short week. I successfully dealt with a couple of short backings, wavy borders and one or two burst seams.

I have two more large quilts to do before I can plan my FOQ demos and pack my bags, all still in the throes of the kids’ summer holidays, sleepovers and dietary requirements ranging from pescatarian and veggie to borderline vegan (don’t ask)!

BzB is Done and Summer Hols Begin!

Standard

It took a few hours to sew the reverse of BzB’s binding by hand as I had to make sure that the stitches did not show at all. I decided to make a top sleeve in the end so if quilt judges don’t think the back is up to scratch then it will have to come off at a later stage. I added a subtle label to the pieced side and blocked it to straighten out the edges. It was not measured scientifically so I hope its weight will make it hang well enough.

  

I remembered that Shield Maiden is also going to FOQ – it did not seem to have been blocked before and also required a label. After getting both of the quilts ready to pack I had that weird feeling that I experience after finishing every major project. It is a combination of not being able to believe it is complete and also wondering what I should be doing to fill my time. I even considered preparing some piecing to take on holiday but thankfully I decided that several bottles of wine and some good books would do just as well.

I loaded the kids, booze, festival trolley, bucket BBQ, and Bumble into the Landy late on Saturday morning and we set off on our road-trip to a cottage near Ullapool in North West Scotland. We took the scenic route, the last part of which was on single-track roads with sheep roaming freely. The cottage has magnificent views over Broom (sea) Loch and the Summer Isles. The weather forecast for the week is poor but we packed plenty of sensible clothing although Fergus may been seen wearing a floral raincoat because he decided against taking his own waterproof.

  

We spent Sunday pottering around on the rocky shore, glimpsing seals in the waves. Bumble was exhausted after scrambling gamely over the rocks. Surprisingly, nobody else wanted to sample limpets boiled in seawater and I have to report that my curiosity is now satisfied. Without any parsley, garlic or butter to hand, they are gross! We have no major plans for our week apart from some exploring, fish and chips, and contentedly watching rain stream down the windows. If the sun comes out it will be a bonus but not essential for  us to enjoy a fun holiday.

Major Progress with BzB!

Standard

I loaded up a brand new, shiny bobbin case with wool thread and went to Radio Silence for the first couple of hours re-quilting all of the large motifs on BzB. I only held my breath a few times and to my amazement, it went far better than expected. Early on I decided to order ten more 110 wool needles to add to the three I already had and I used every single one of them. Let’s just say that thick layers of batting, seams involving linen and paint soon dull needles. The quilting took a long time but I knew the way around the quilt this time. There were times when I was bored to tears with the monotony but after I passed halfway in the middle of the week I was encouraged to get it finished. I had to remind myself not to get over excited for the last few feathers as it was so tempting to romp to the end.

 

It was such a relief to get the quilt off the frame at last. I did a quick tidy of stray threads and will do a thorough check later. The back looks good but I still don’t know whether the judges will pick me up on the little knots that have built up here and there. I love the look of the wool thread so I think I am OK with a few little blips.

 

BzB is a monstrously heavy quilt and takes some man-handling. Squaring up took me a few hours – I could not just measure out from the feather border all around as it turned out that I obviously had not drawn it squarely in the first place. There was some creative fudging so I was amazed that the 2 opposite sides matched each other when I measured them. The outer edges are not too wavy and should flatten down after some serious dampening.

I decided to go for a top hanging sleeve even if the quilt does not get shown double-sided but I am not sure if it will look as neat as I would like yet. Mind you, when it is hanging up over 90” from the floor, it will be difficult to scrutinise. I attached the shot cotton binding by machine on the front and will try to get most of the finger-puncturing hand finishing done during the week so I might not have to take it away on holiday! There is a fair bit of titivating still to do – checking to see if that the painted bits need touching up, deciding whether to add a few sparkly crystals, re-colouring the spirals inside the flat-iron shapes that look like a cartoon character has been knocked unconscious, reattaching the label that I sewed on wonkily, and finally – BLOCKING!

Beezlebub’s Endurance Test

Standard

I can’t remember a quilt project being quite as all consuming as Beelzebub since the Yurt or The Smart Car. If anything, this quilt is even more intense as there is a tight deadline  to get it finished in time for FOQ, taking into account the school holidays, and I want it to be over and beyond a basic bastardisation of a whole cloth quilt. If I had more time I would probably even add even more extras such as beads.

   

My days have involved at least 9 hours scribbling away with Derwent Intense pencils, carefully adding aloe-vera gel without splurging any onto the quilt background and using the smallest possible paintbrushes to add metallic paint highlights. I have not been anywhere or seen anyone except for a mad dash to the grocery shop for essentials or walking the dogs in the persistent rain. My emails remain unanswered and a pile of unopened post is stacking up on my desk.

The General Election largely passed me by, apart from the incessant analysis on Radio 4. I am now convinced that one of the characters from farming soap, The Archers, will either die or run away at the Isle of Wight Festival just to spice the listeners’ lives up a bit. I think that most of the British Public will feel strike poses like Bumble if we are faced with yet another election in the near future…

If I manage to put in the same amount of time in the coming week I may just finish the colouring to allow a maximum of two weeks for the second quilting on the large motifs. That is actually beginning to worry me – do I honestly think I can stitch right on top of the previous stitching with wool thread, around the coloured or painted sections with absolutely nowhere to hide?

It would be nice to think that the next project I do may be slightly easier or at least smaller;)

Missing in Action

Standard

There almost was no blogpost this evening as I have been totally absorbed with adding colour to Beelzebub with Derwent Intense pencils and a gel to blend them in. I feel that I have bitten off far more than I can chew as just doing the bottom row of feathers took 3 days and I am not entirely happy with how they look in real life. I reckon coloring the entire quilt could take 2 weeks and I still have to requilt and add longarm embroidery to the large motifs. It really will be down to the wire with this quilt to get it done by the end of the school year! This is possibly one of my most stressful projects to date. At least I am up to date with current affairs by listening to Radio 4 for hours on end…

What will happen if I RUN OUT of thread?

Standard

Pretty much all I have done this week is quilt with pink thread so it is a good job it is variegated, just for the occasional surprise. After a 10 second discussion with myself, I decided to quilt tiny spirals in the half inch piano keys because I knew I could not bear to leave them naked. Then I started on the marathon task of stitching small spirals and swirls in the background which was back-breaking because I like to have my nose as far over the quilt as I as I can and I don’t have a hydraulic lift on the Q24 table. Frankly, it was quite boring at times and progress seemed to be slow because it is a pretty large quilt at 94” square. Even Bumble, thought it was tedious went outside to watch the grass grow.

  

To alleviate the tedium, I did laundry and opened one of the bottles of Furze Fizz which was so lively that the spring top did a fair imitation of a champagne cork at the Grand Prix. Despite losing a lot of effervescence before getting any actual fizz into a glass, I was able to do a tasting and decided that it was delicious and would probably go rather well with gin.

We had a 3-day heatwave with temperatures up into the mid-twenties celsius. If anyone ever leaves me a holiday house in the tropics in their will, I will sell it and buy a hunting lodge in Finland. The heat makes me grumpy and gives me a headache and when it is so hot that I have to have my workshop door open, I should just give up and find somewhere to hang a hammock.

Fergus reconfigured or messed up the internet this week, attempting to speed up our broadband, despite being advised not to touch it… it is now worse than before and I discovered a stash of unsent emails several days later, some of which were thread orders. I am now panicking that I will not be able to get enough wool thread to start requilting and embroidering the large motifs on BzB later in the week. I may even challenge Aurifil and Madeira to see who can get thread to me faster and I will use whichever one gets here first. I have made a back-up plan in case the thread does not arrive. I have yet to complete the background quilting, prepare the binding, make a label, a double-sided sleeve and consider adding colour using watercolour pencils or paints because the quilt has to be FINISHED before the school hols start at the end of June!

Bottling It

Standard

I overcame my fear, plucked up some courage and began the outline quilting on BzB. I went VERY slowly in manual mode because that it simply the smoothest way to quilt around a drawn line. However, I must warn everyone – never, ever drop your bobbin case, even onto a carpet… I always try to be very careful not to do just that but sometimes it just bounces out of my hand and I am not quick enough to catch it which is what happened recently. Even though the bobbin case looks fine, it somehow got buggered up. I kept having to fiddle with the bobbin tension and eventually had to crank the top tension all the way up to 9. I don’t know how many times I rethreaded just to be sure but there are areas on the back of the quilt where the bobbin thread was not bedding in properly as the tension was not quite right.

 

I ordered a new bobbin case and decided to forge ahead anyway. Most of the back is OK – I wondered whether I could hide the dodgy sections by applying paint but I have since decided that I will quilt it all again using a thicker wool thread, even though it already took at least 30 hours and was pretty much all I did all week! I can’t do any more until the new bobbin case and threads arrive and I am teaching all of next week. I really wish I had allowed myself a year to work on this quilt, instead of a month as there is so much that I want to do and I can’t think how it will get done by my deadline on a quilt that is 94” square!

   

I have bottled up my Furze Fizz (gorse champagne) which was fizzing away and smelling quite floral. It is pretty cloudy but so is ginger beer and posh lemonade. I have applied proper health and safety techniques by putting the glass stoppered bottles in a sturdy cardboard box in the workshop loo with an upturned bucket on top. I will wear safety goggles and release the pressure after a week. If it is any good I may have to have a party as the Fizz will have to be consumed quickly;)

Relentless!

Standard

Monday was the deadline for entering a handful of quilt shows that I had known about for months but had still not got around to entering. As usual, I did not have all of the necessary information for every entry so had to faff around finding or retaking photos and look for the blurbs lurking somewhere on my computer. I have even entered the very unfinished BzB into The Open European Championships as they allow pictures of work in progress and when I get it done they can have an updated photo. None of this scrabbling around at the last minute was helped by our pitiful Wifi connection which was so bad that I even tried to upload files from my phone in the supermarket carpark where there was at least some of the slowest ever 3G.

  

Having committed BzB to an actual show, I realised that it was definitely time to load it onto the longarm frame. I was beyond irritated to discover that I had not saved a whole pack of wool wadding and that the black wadding was not wide enough. Yet again, I questioned why I had made BzB so big. I phoned around several well known UK quilt shops but none were able to guarantee next day delivery or even had what I wanted in stock. There was only one solution which was to join all of the leftover bits of wadding together. The huge pieces that I reconstructed were then generously spritzed with water and laid out to relax because the wool that come in packs is always impossibly creased.

I have to admit that BzB is making me very nervous. It has been a long time stewing and has to be sewn upside down for me to be able to see the quilt markings. The back is pieced and I have to get perfect tension on both sides since I intend for it to be a double-sided quilt. I tried out different threads, including a wool blend which looked great on the top but was not so nice on the back because the colour was not right. I was faced with the choice of ordering some more thread, sight-unseen online or making do with something else. In the end I decided that since BzB is a bit anti-establishment then I will use a 30wt neon pink cotton because I have it on a huge spool. It is my plan to get most of the outline quilting done next week but we all know my plans are very subject to change.

Fergus has time off school for exam revision but he has a not-uncommon approach to that which involves worrying that he has not done enough work before proceeding not to do any actual work. He wastes as much time as I do doing avoidance jobs like tidying computer cables but he has not got enough self-discipline to avoid spending hours watching irrelevant videos on Youtube. I jollied him along and tested him on Music theory and I even bough a DVD of “Romeo and Juliet” with nude scenes but he does not yet seem any more enthusiastic about Shakespeare.

I happened to catch a re-run of the “River Cottage” cookery programme the other night and was reminded how I have always wanted to make a gorse version of elderflower champagne. The bright yellow gorse this May is incredibly abundant so it did not take me long to pick a bucketful of flowers without getting too scratched in the process. The last time I attempted to make a lightly alcoholic, foraged fizz I added too much yeast with explosive results. This time I am attempting to stick to a recipe and after 48 hours it is beginning to smell like fermentation is happening.

After all of that activity, I told myself I could have a relaxing weekend except for making a simple dress. The pattern from The Maker’s Atelier looked straightforward enough not to bother making a tester “toile” so I took my measurements and made the size that looked like it matched up the best. The result was that I made a great dress that was several sizes too big. At least it was not too small, like the oilcloth top that I could get on but struggled to get off. I might try to make it again one day in a smaller size but maybe I will take the trouble to make a rough version to check the size first. Not put off by this experience, and because I had some “spare” time, I decided to run up an apron-dress in the skeleton toile-de-jouy that I bought for the job at FOQ last year. It was actually very easy after I sussed how to make the pockets but I seem to have made another bigger than necessary item of what I would not call clothing. I have seen several textile artists swanning around in such garments, rocking the look but I think mine looks more like a 1940’s utility overall. If I had made it in denim it might have been sensible but at least I now know that I can make another one should I feel inclined.

Not content with making two “frocks”, I forged ahead with a huge customer quilt so I would have no distractions about tackling BzB, apart from my relentless To-Do list and motivating a teenage boy to get stuck into some exam revision…

Just another typical Quilt Quine week!

Standard

Phew, no wonder I didn’t manage to write a Sunday night blogpost after another hectic week, ending with a fun trip to the Knitting & Stitching Show in Edinburgh. Although I feel that my tyrannical To Do list never lessens, I managed to supervise 2 DIY quilts and complete a simple customer quilt, publish a schedule of Quilt Quine classes onto my Facebook business page, and make daily hashtag-pointless newsflashes starting the week doing a weather post in the snow.

I was asked if I plan to offer online quilting classes which is something I need to investigate but in the meantime I need to promote my Ebook, “Deviant Quilting” which has lots of video clips.

I caused chaos in our cluttered Music room by playing furniture Tetris, which moving a full sized rock drum kit and shifting the sizeable electric piano upstairs, negotiating a tight dog-leg staircase.

I allowed myself some fun by stitching intensely onto the Dijanne Cevaal linocut print, reminding myself that it was an exercise, rather than a show-off piece. I would like to do more “longarm drawing” pieces but I need to remember that even though I think I will just do a little bit of stitching for a few minutes, I can easily still be there after 2 hours!

I received a super box full of Haribos from Maria in Germany as a swap for a piece of gold pleather that she made into a super tote bag. I have had to hide them in a safe place so I can’t scoff them all at once.

  

After forcing myself to update my paperwork, I set off to meet Ellen and Kay with a side trip to IKEA. I should have considered that Saturday has to be one of the worst days to do this as the store was full of screaming kids who did not want to be there and other kids running around with mini trolleys. No wonder I was traumatised and left my phone in the ladies’ loo. I was extremely fortunate that I realised it was missing before I drove away and that a very kind citizen had handed it in.

Kay, Ellen and I enjoyed a catch-up over curry and alcohol then visited the K&S show on Sunday. I am pleased to say that it was busy, bigger than last year and that there were plenty of vendors. I was not impressed to pay £5 for parking in a field then being harangued at the door for opting out of a show guide for an additional £4! The K&S show does not have any competition entries and the exhibits were varied but I really think that there should be more of them than vendors to make the ticket price worthwhile. I bought a selection of heavier threads to experiment with on the Bernina Q24 and also yet another shift-dress pattern and fabric that will make me feel guilty unless I ditch all of my other projects and tackle it.

    

 

I was expecting to have 3 custom quilts to do in May but the makers have not quite finished them so I have no choice other than to load the rather large “BzB” (or whatever new name I decide) and make an attempt to get it done in time for FOQ. If I enter it into the show this week then I will just have to get it done;)

Video Bites with The Quilt Quine

Standard

I made it my mission this week to figure out how to use the GoPro camera and to be able to make short video clips on my phone. I ended up making a daily Brigton Farm newsflash just so I could practise doing some off-the-cuff pieces to camera, building up to making longer quilting demos in the future. One of my children has told me to stop spamming Instagram with my clips and another says I should spend some time editing my videos and adding music. I think it is actually quite an achievement just to figure out how to start and stop the camera – faffing around doing editing can come later;)

I don’t know whether the newsflash spot was a spur for activity but I seemed to get quite a lot done this week. As well as supervising a DIY quilter and completing a customer quilt, I finished the other Tifafai thistle piece that I started in Germany. I worked out a really good combination of metallic threads and stitch size on my overlocker to finish off the edges without adding a binding.

  

While my DIY customer was engrossed with her quilting I reorganised my 2 IKEA trolleys so that each longarm machine could have a essentials kit ready to be wheeled up close. I was thrilled to discover how well the magnetic pin bowls stuck to the side of the trolleys.

  

My Postie delivered an assortment of parcels ranging from Kilner jars to be used for yogurt making to a budget version of a German folding shopping basket. I had intended to decorate it with something like free-motion stitched broderie-perse but it would have been tricky to avoid the pockets for the struts and the zipped side pocket. In the time that I could probably have done all that I decided to make quite a lot of pompoms to dangle from it instead.

I am coming up close to the deadlines for entering quilt shows so I dug out the long abandoned BzB anti-wholecloth project. I stared at it for a long time, jotting down a few notes on how it might be tackled. Its biggest problem seemed to be the vast amount of negative space which is traditionally filled with ½” diagonal lines. I hummed and hawed for ages, made some extra templates and decided to fill up that space since a) I am not making a modern quilt and b) I am not making a traditional quilt and c) because I felt like it!

Amazingly, my 15 year old, battered Landrover passed its MOT test, apart from needing a new tyre, which means I can once again look forward to trundling off to Quilt Shows, delivering kids to Guide Camps, Duke of Edinburgh Expeditions, Music Festivals, and eating Fish and Chips in the car:)

I am really enjoying working on a lino-print “Traveller’s Blanket” panel from Dijanne Cevaal using 30wt thread. It is challenging working on such a small scale with a large longarm machine – it is really embroidery rather than quilting. I am more fired up working on this small project than anything else I have done in a while and I will be looking for more heavy weight threads. Dijanne and I are hatching a plan to work collaboratively on “something” and I am very excited to see what we might come up with…

More Stitching in Germany

Standard


After our lazy day of sight-seeing and soaking up the sun, Dijanne Cevaal launched the students into intensive stitching projects. It was an absolute treat to quilt for fun all day long. I was slightly freaked out when she suggested that we draw a central vignette or motif so I cheated and found a woodcut drawing of a fish on Google that I developed. Dianne prefers to work with 30 weight cotton thread. I was impressed how the Bernina Q24s ran it without complaining and how the stitching really stood out. I decided to stick with the same blue thread for the whole piece so it was monochromatic. Dijanne declared that what we were doing was “Drawing with Longarms”.

It was very interesting to discuss methods of networking with an established travelling quilt tutor. I was encouraged to try using the social media platform, Instagram regularly, learning about hashtags and tagging people who might be interested. I now have followers who are into wood-carving and making sexy bread.

I started a threadwork piece using one of Dijanne’s lino-cut prints. It is not quite as easy to work that small using a longarm but I am having a good go at it. The thick thread looks amazing and I can add hand-stitching or beads later. The main challenge of the second day was to design and stitch a Tahitian style Tifaifai appliqué. I sketched out part of a spiky thistle using paper folded into a triangle. This was traced onto Bondaweb, ironed onto fabric then cut out with tiny scissors. The tricky thing was to free-motion quilt around the raw edge appliqué several times, building up a solid edge. One of the students had greater success using a longarm appliqué guide but I discovered that I could use manual mode fairly smoothly. I don’t think this is a technique that I would have chosen to do myself but I am really glad of the opportunity to try it as I really enjoyed the project. I was determined to complete the black background quilting all in the same day. I have the negative thistle still to complete which it will take most of a day to do.

I had a terrific time teaching and learning in Coburg. Regina and Dijanne were great to work with and I was very well looked after. I was actually rather sad to pack up to go home, even though I had extra goodies including thread, sweeties and projects to fit in. I am hoping to go back and teach workshops for Regina in the future and I intend to meet up with Dijanne again as we got along very well:) When I got home I went straight to the supermarket to buy food for a German style picnic tea!

I went home with a German cold so I did not feel like sorting my stuff out until the weekend. Feeling guilty about my apathy, I made myself do boring admin first so I can do some more on my unfinished German projects later in the week. I did not exactly laze around – I managed to get a small customer quilt done, delivered Easter eggs to Freya in St Andrews on Good Friday and rustled up some basic cable-tidies that look nicer than strips of black velcro.

The Easter holidays end on Tuesday so Fergus needs to get into serious revision mode and tackle the maths questions that I downloaded – luckily for me I also downloaded the answers! I have quilt competition entry deadlines looming and I need to work out whether is feasible to make something new in time for FOQ… If only I could get up at 4am and not waste time on the internet:P

Eine Kleine Quilten

Standard

I have come to the conclusion that it would be simpler to write down all of the tasks that I do not have a hope of finishing, see how the week pans out then fill in my diary retrospectively. I was beginning to panic that I would not get my class samples ready in time for my German trip next week – then I started to worry that the projects were too big and the students would not finish them either. Of course, they do not need to be as intensively stitched as I did them!

The pink pleather piece did not “need” additional embroidery around each circle and the Spotty Sampler Quilt did not “need” more stitching or couching either;) It was actually quite hard to come up with 16 completely different ways of quilting a circle. It was not until afterwards that I remembered I had a file full of photos of examples of stitched circles that I did for the Bernina Q-Matic system.

  

I was relieved when both projects were completed. I have had months to prepare for these classes but School Stuff and Life just kept getting in the way. I have now written instructions for both of those projects in case there is some finishing off that students need to do after the classes. I actually wrote 888 words on how to make a simple tote bag with an internal zipped pocket because I take the view that every step should be crystal clear, making no assumptions that the maker already knows what he or she is doing. I can even let the maker know that they can fit at least 8 bottles of gin into it!

 

Fenella is off to Guide Camp this week and obviously, I could not manage to send her off with 2 cheap supermarket tea-towels… I had to dig around in my stash and make 2 fancy new ones from vintage linen with hanging loops and name tapes! No wonder I have not found time to practise my German conversation on the Duolingo app. I must do some cramming before I go because I cannot imagine I will have to ask for much “brot und wasser” from “der junge” – however, I expect I will use “Entschuldigen, mein Deutsch ist schrecklich!” (Sorry, my German is dreadful!)