I am frustrated that I am not good at drawing yet that I have plenty of technology to “cheat” although that technology can be a puzzling minefield. I watched Youtube tutorials on how to create a spiral design with repeating motifs but it was for a PC version of Adobe Illustrator which I don’t have. There are so many things I think I could do with an iPad so I will see about going to the Apple Store for some training sessions.
My printer only works to a maximum of A4 so creating a larger design is tricky. I dragged out my old Overhead Projector and sketched out a couple of designs onto pieces of paper taped together which was not a bad solution, albeit a bit wobbly.
One of the things I wanted to draw out was a spiral of Warli figures for my screen-printing class. I drew a wiggly spiral with the OHP then printed several sheets of Warli figures, cut them out with scissors then glued them on individually. Next I had to trace over them with a light blocking felt pen without any smudges. It took hours! I was pleased to find out that I could use the Scanncut plotter machine to draw out a different design by fitting one of the Zig pens into the pen holder even though the machine did not initially recognise the pen holder.
At the screen-printing class the acetate was burned onto a photo-emulsion screen using a UV light and it printed out amazingly crisply. This term we will print out various screen that we have made and work towards a final exhibition piece so the obvious project for me will be a Warli figures quilt.
I am working frantically on projects that I can teach at the Bernina Longarm Academy at FOQ this year. One is called “Modern Mystical Mandala”. The tricky thing is that using quilting templates to create a design will not be accurate since the hopping foot adds ¼” to every motif and I could not find one of those little discs that add the ¼”! I resized some concentric circles that I had designed for Qmatic and quilted them out onto white fabric. I drew on registration marks with a friction pen then added other circles and pointy shapes using longarm rulers. My design ended up rather messy as I scribbled ideas onto the piece with the friction pen whereas I should have overlaid a sheet of acetate and used OHP pens so it was quite difficult to see what I was doing towards the end.
Quilting out the sample for a 3 hour class took me about 2 days, mostly due to designing as I went along. Students can use a choice of simpler fills if necessary. I resisted the urge to colour in the finished mandala with Inktense pencils but stitched through large mirror sequins instead. The hopping foot caused the plastic to crackle on the smaller sequins but I thought it was a funkier material to use rather than bonda-webbed silver lamé. This was a useful exercise because I want to attempt a mirror sequin quilt based on an antique scrap of clothing that I picked up in India;)